Modern society, for all its luxuries and technological miracles, can be terrifyingly inhospitable. That seems to be one takeaway of Beau Is Afraid, the third feature from writer-director Ari Aster, who has rapidly established himself as a cinematic enfant terrible in recent years. Aster’s previous two films—the excruciatingly predictable Hereditary (2018) and the pointlessly lurid Wicker Man pastiche Midsommar (2019)—were both directed with formidable style, but their insipid storylines failed to display that same creativity.
Joaquin’s Delicate Condition
‘Beau Is Afraid’—Ari Aster’s bloated, brazen, and sporadically brilliant new film—could give Freud nightmares.

Joaquin Phoenix in 'Beau Is Afraid.' (Photo courtesy IMDb.)
Joaquin Phoenix in 'Beau Is Afraid.' (Photo courtesy IMDb.)



